Here was another quintessentially Pierre-Louis Mascia show. The designer might tap into different inspirations each season — for spring 2026 his starting point was the 1945 French movie “Les Enfants du Paradis” — but his maximalist aesthetics are always stronger than any theme.

Prints and fluidity are the mainstays of his fashion and he exalted them both once again in a lineup largely relying on silk and jersey as well as clashing patterns — 18 of which were new. The rich prints ranged from geometric schemes and botanical references to animalier and paisley motifs, passing through those reminiscent of ikat patterns and toile de Jouy.

Silhouettes were elongated and fluid, telegraphing an elegant sense of ease even in the most daring of the printed combinations. Flowing dresses, light long coats, relaxed tailoring, lightweight bomber jackets and even tracksuits that could double as pajama sets were part of Mascia’s cozy coed wardrobe. 

While some looks tapped into escapism, oozing an aura of orientalism or evoking exotic destinations — never pinpointing any exact geographical coordinates, though — there were pieces that could be effortlessly integrated in an everyday urban outfit, such as Mascia’s version of denim pants and jackets that were the result of a trompe-l’oeil effect on silk.

Far from being new or a fleeting trend for Mascia and the brand he launched in 2007, his loud and visually rich viewpoint might not be for everyone nor easy to digest, but could find unexpected resonance in the quiet-no-more movement that is getting steam this fashion month.